Welcome to “The Night Circus”

The Night Circus by Erin Morgenstern has given me withdrawal. Since finishing it, I find myself pining after a story that has sadly ended. I know I should move on, but instead I spend keep thinking of all the nuances of the story, the characters, the writing.

The Night Circus is a beautifully crafted story of a circus, two magicians, romance, and fate. Written in first, second, and limited third person, The Night Circus brings the circus to life through the written word, with complex characters and a mysterious story line.

I loved the gorgeous prose. Each chapter and section of prose was carefully and purposely placed, bread crumbs that when added together create a beautiful and delicious cake (I know that’s not how it really works, but just roll with it). If you are in a rush to read, then it may seem a bit slow at first. But if you are in the mood to savor each lengthy, yet beautiful description with little thought for plot, this is the book for you. If you aren’t in the mood for a slow book, but you still want to read The Night Circus, then read the first third of it as quickly as you can, and enjoy the wonderfulness that is this book.

A large part of what makes this book so awesome is the characters. Morgenstern has done an excellent job of creating complex and realistic characters, many that we love, some that we hate, but all that we believe. The main characters Marco and Celia have unconventional childhoods, and we see how their upbringing affects the rest of their lives, allowing us to also understand their actions. Each side character is detailed in such a way as to allow us to get a good grasp of who they really are and how they are important in the story. Because each character, no matter how small their role, is incredibly important to the storyline. If a character is included, they are important.

I absolutely loved this book. While I was somewhat disappointed by the ending, the journey was incredible enough that it made up for it, and I can’t say that much for a lot of books. Normally the ending makes or breaks a book for me.

The magic in this story is contagious, it refuses to stay contained within the pages it was written. I find myself thinking about the world of The Night Circus, wishing I could visit. If you are looking for a beautiful work of art with gorgeous descriptions, you will definitely enjoy this book.

**FYI: For those who are more sensitive to language, there is one strong swear word in the first chapter, but after that it is completely clean of swearing.**

 

Jason Bourne meets Twilight in “The Chemist”

Browsing the Overdrive book selection, I was very surprised to discover that there was a new book out by Stephanie Meyer. When a copy finally became available through the digital library, I wasn’t quite sure what to expect. Any expectations I may have subconsciously held were subsequently blown away when I entered the world of The Chemist, a novel of espionage, murder, attempted murder, torture, romance, and changing identities. While there were some prominent similarities between this novel and Meyer’s other novels, it was also very different from her other books, largely because Meyer decided to break into with the spy-thriller genre.

I was very impressed with Meyer’s extensive research into science, medicine, torture, and other spy-know-how. While I know very little about chemistry and medicine, I completely bought into the main character’s abilities to survive as she is hunted by the government and the thugs the government employs.

But as the main character, Alex, begins to fight back, the pacing of the book seemed off to me. While the gruesome descriptions that characterized the action sequences were hot and fast, and filled with beautiful suspense. But they were broken up by long periods of nothing which seemed to drag on pointlessly. The only purpose I could see for these slow periods was for the romance.

For those who read Stephanie Meyer’s books for the romance, you will not be disappointed. Romance plays a huge part in this book, at times battling with the plot line for the main focus of this book. It was steamy, and engaging, and I enjoyed the originality of the premise. But the romance story line within The Chemist also had its faults.

Personally, I found that the male love interest, Daniel, was unrealistic and stretched my suspension of disbelief too far (those of you who have already read it, you know what I’m talking about). Meyer seemed to fall into the same potholes with Daniel as she did with Edward in Twilight. Daniel is kind to the point where he has absolutely no sense of self-preservation, and he exists solely to complete the main character. His character flaws, that he is too innocent and kind, and good-looking are hardly flaws.

While this book definitely had flaws that will hold it back from being in my top fifty favorite books, it was a really fun read. I loved feeling my adrenaline kick in alongside the main character’s. Meyer did an excellent job stringing the reader along with thick suspense and I had trouble putting it down most of the time. However, the flaws made it hard for me to mentally stay in the story a couple times near the beginning and middle.

If you are a fan of Meyer’s previous work and you love Jason Bourne movies, this may be a good book for you. Personally, I did really enjoy it, but it had enough issues that I won’t be reading this again.

Reading “Graceling” by Kristin Cashore

An emotionally inaccessible young woman with a deadly gift – the ability to kill quickly, easily, and with a single blow – learns the meaning of humanity in this 400+ page fantasy debut novel. Kristin Cashore writes beautifully in the first installment of the Graceling Realm trilogy, Graceling, in which she creates a world where certain people are born with “graces” or special abilities. These people are ostracized from society and such is the world that our protagonist, Katsa, is born into. The niece of a king, Katsa’s deadly abilities lead her to lose herself to rage and fear. The king uses her to do his dirty work, and Katsa, not quite understanding the extent of her power, blindly obeys, hating herself and her uncle for her cruel assignments. However, when a stranger opens Katsa’s eyes to her ability to control her emotions and actions, and choose  for herself what she will and will not do, Katsa becomes a new woman on a quest to redeem her former actions.

This book explores themes of humanity, suggesting that humanity shows itself when we control our base impulses and emotions, and is lost when control is forsaken. I really enjoyed the exploration of this theme through not only Katsa, but also through the villains and some side characters.

The romance within Graceling easily sucks the reader in, loving Katsa and Po throughout as they learn to trust, and to accept what cannot be changed. While the romance was a highlight of this book, it was targeted toward an older audience, containing some suggestive scenes.

The plot, while somewhat straightforward at the beginning, continually surprised me. This was partly due to the pacing of the book, which was unconventional. Cashore portioned out the novel so that an unusual amount of time was spent on specific actions. For example, a longer amount of time was spent on a scene where the main characters are preparing to face the villain, and when the face-off finally happens, it is surprisingly fast, and simple, not the usual climax. Surprisingly, the book does not suffer for this unusual pacing, rather it helps shape the tone of the book. Instead of focusing on the action of the novel, the pacing helps to shift the focus towards the ideology, characters, and relationships within the novel.

Overall, I really enjoyed this book. The world Cashore created felt fresh and exciting to me, and the storyline always had me guessing. I would recommend this book, with the advisory that there are some suggestive scenes that might influence some people’s decision of whether it.

Stephanie Meyer’s Rebuttal

Twilight first became popular in my early middle school years. As I entered high school, I watched it transform from something every teen girl was excited about, to something scoffed at, scorned, and belittled. It became cool to make fun of Twilight and anything associated with it and has since become the target of many many jokes, and criticism. Academic criticism has stemmed largely from Bella Swan’s (the main character) inability to save herself and her huge dependence on Edward (the love interest) to fully live life.

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Critics have called Bella a “weak character” and have specifically criticized her as a role model for teenage girls, saying that she is representative of a step backward in the face of current feminist movements. And it doesn’t take too deep of a reading of Twilight to find evidence for all these arguments.

However, in the face of such heated criticism, Stephanie Meyer has countered that Bella does not have a “female problem” but rather a “human problem.” Bella is not weak because she is female, but because she is human.

To support her claim, Meyer wrote Life and Death, a version of Twilight where the genders are switched for almost all the characters.

What resulted was a fresh take on the traditional love story. While this new version of Twilight was not as polished as its original (due to a quick deadline to publish on the 10th anniversary of Twilight), I found it to be an excellent rebuttal. I enjoyed reading Life and Death from Beau’s (the male Bella) perspective, and I found Meyer’s argument convincing.

However, while the gender role reversal solved some of the problems critics have pointed out in Bella, the majority of characters still came across as static, and shallow. I suggest that this might be, in part, due to the genre to which this book largely belongs: romance. Because this story is about a romance, with a tiny bit of action at the end, there is little substance in these books, Life and Death and Twilight, that does not pertain solely to Bella and Edward’s/Beau and Edythe’s relationship. For many readers, this kind of substance is not substance at all. Many readers crave something more, while others are content to relish Bella/Beau’s thoughts and the tiniest details of her/his relationship with Edward/Edythe.

While I am not arguing that Twilight or Life and Death should be considered among the great American novels, I am suggesting that Twilight may not be as bad as so many people say it is, and perhaps it is time to take a step back and see it for what it really is—no more and no less.