Dark and Light in “Three Dark Crowns” by Kendare Blake

Three Dark Crowns by Kendare Blake began much darker than I expected, or cared for. In fact, after the first two chapters I put it down, not expecting to finish it.  But circumstances resulted in me picking it up again a week later because I couldn’t find any of the other book I’d been planning to read that day. And I am so glad I did.

The premise is this: triplet sisters are born to the queen, each with their own special gift, and tradition dictates that only one sister may live to rule, the others must die at the hands of the others.

The basic premise of this story demands a certain gravity, but Blake balanced it excellently with lighter elements that kept the story moving, and gave the reader hope without turning it into a melodrama. It was dark at times, but it also had enough light that I didn’t feel bogged down, but rather pulled in.

Written from multiple perspectives, this story switches between several characters, each one brilliantly developed, relatable, likable, and unappealing in their own ways. Each perspective forms a puzzle piece that fit perfectly between all the others to create a wonderful piece of work.

Blake infused this book with of feminist themes such as the objectification of women, equality within love, and respect in relationships. The first theme I found particularly interesting as Three Dark Crowns is based in a largely matriarchal society, and the way each female character encounters and deals with objectification is very interesting.

If you are looking for a story about family, sisters, feminism, love, and heartbreak, and you aren’t scared of a story infused with a more serious and darker tone, this is a good book for you. Brilliantly written, and very engaging, I really am so glad I read this one. 5/5.


Weight and Religion in High Fantasy with Rae Carson

Rae Carson has a talent for creating interesting main characters. In The Girl of Fire and Thorns I was impressed by her creation and development of a dynamic character who, in a world so different from our own, struggles with something so relatable as body weight.

Problems with weight loss/gain topic is quite common within contemporary YA literature but I don’t think I have ever encountered it within the high fantasy YA genre. However, this topic fits within another, more general theme, that is perhaps more common: feeling comfortable in your own skin.

Carson did an excellent job in the first installment of this trilogy of creating a believable and relatable main character, Elisa. While she struggles with her physical appearance and health, mentally she is at the top of her game.

Not only did Carson tackle body image issues, she also delved into the ever-controversial topic of religion and faith. Throughout the first installment, Elisa is devoutly religious, but as the story progresses, she is plagued with doubts about the religion she grew up with, and her faith in her God is tested.

I really enjoyed Carson’s courageous effort to create a book that addressed so many controversial topics. It could easily have turned into an offensive mess if done carelessly. But Carson was very tactful and thoughtful in her development of themes and storylines. I really enjoyed this book,. I felt is was very original and excellently executed.

If you are looking for a thought-provoking high fantasy book, I would definitely recommend The Girl of Fire and Thorns. As for myself, I am looking forward to starting the second novel in the trilogy, The Crown of Embers.

Revenge and Choice in “A Creature of Moonlight”

Rebecca Hahn’s A Creature of Moonlight is a beautifully written tale of a young girl finding and making her home and her destiny. In a world where everything is chosen for young women, many have been drawn to the magical forests in an attempt to escape their seemingly inevitable destinies. Once these young women enter the forest, they are never seen or heard from again.

This is the case for all except one. Marni’s mother came back from the forest, pregnant, but otherwise unharmed. But when her brother discovers her pregnancy, he tracks her down and her young child. He kills her, and threatens to kill Marni too, but she is saved by her Grandfather, the king, who trades his kingdom for her life.

After growing up near the forests, Marni is being pulled between two worlds: that of the magical forest where her father, a dragon, lives, and that of the kingdom to which she is the sole heir.

Hahn does an excellent job of telling this original fairytale through a feminist lens, focusing on a woman’s right to choose her own destiny, and the importance of that choice.

(Warning! Some minor spoilers lie ahead). Continue reading “Revenge and Choice in “A Creature of Moonlight””

Stephanie Meyer’s Rebuttal

Twilight first became popular in my early middle school years. As I entered high school, I watched it transform from something every teen girl was excited about, to something scoffed at, scorned, and belittled. It became cool to make fun of Twilight and anything associated with it and has since become the target of many many jokes, and criticism. Academic criticism has stemmed largely from Bella Swan’s (the main character) inability to save herself and her huge dependence on Edward (the love interest) to fully live life.


Critics have called Bella a “weak character” and have specifically criticized her as a role model for teenage girls, saying that she is representative of a step backward in the face of current feminist movements. And it doesn’t take too deep of a reading of Twilight to find evidence for all these arguments.

However, in the face of such heated criticism, Stephanie Meyer has countered that Bella does not have a “female problem” but rather a “human problem.” Bella is not weak because she is female, but because she is human.

To support her claim, Meyer wrote Life and Death, a version of Twilight where the genders are switched for almost all the characters.

What resulted was a fresh take on the traditional love story. While this new version of Twilight was not as polished as its original (due to a quick deadline to publish on the 10th anniversary of Twilight), I found it to be an excellent rebuttal. I enjoyed reading Life and Death from Beau’s (the male Bella) perspective, and I found Meyer’s argument convincing.

However, while the gender role reversal solved some of the problems critics have pointed out in Bella, the majority of characters still came across as static, and shallow. I suggest that this might be, in part, due to the genre to which this book largely belongs: romance. Because this story is about a romance, with a tiny bit of action at the end, there is little substance in these books, Life and Death and Twilight, that does not pertain solely to Bella and Edward’s/Beau and Edythe’s relationship. For many readers, this kind of substance is not substance at all. Many readers crave something more, while others are content to relish Bella/Beau’s thoughts and the tiniest details of her/his relationship with Edward/Edythe.

While I am not arguing that Twilight or Life and Death should be considered among the great American novels, I am suggesting that Twilight may not be as bad as so many people say it is, and perhaps it is time to take a step back and see it for what it really is—no more and no less.